It's out today. It's based on a system of sound manipulation. It's designed to help shut out the distractions and shut in the focus. It's designed to hold the space. - jB
Great art doesn't wait for permission to exist - it grants that permission to others. - jB
In the small and privileged world or art making, having or not having enough time for a creative endeavour is, at its core, a matter of choice. - jB
Take a read of this, and then read more Mary Oliver : https://www.brainpickings.org/2016/10/12/mary-oliver-upstream-creativity-power-time/
She's an inspiring human being, to say the least. - jB
Responding and initiating are very different actions. - jB
Unfinished and never started are two very different things. - jB
Last week, Blimp Rock released their latest album "Soap Opera". It's an album that I had the pleasure of working on with Peter and the team over the last year or so, and it's wonderful to see it out in the world! Not only does it cover topics such as the important debate of facts vs. feelings, the way that our cats help keep us sane, the merits of basketball over hockey and has a couple of takes on Toronto as a city, it also serves to keep us clean - it's the first album (as far as anyone can tell) that has been released as a bar of soap. Yep - a real, usable bar of soap. With a download code in the middle of it. Fantastic. And here's the album art :
I recently had the privilege of working with Vivek Shraya on her collaboration with Queer Songbook Orchestra for the upcoming album "Part Time Woman". The result is a powerful, potent and beautiful collection of songs, arrangements and performances. The first video from that album is out, and it's for the track "Sweetie". The song is a timely and important song - the video is a wonderful look back at some of the studio sessions spent with Vivek, all of the QSO team, Tika, Sal Zori, Chris Sandes at Sandcastle Studio, Choir! Choir! Choir! at Union Sound Company with Alex Gamble at the helm, and all of the work put into this project by everyone involved. Quite the time. To pre-order the album, FOLLOW THIS LINK. The video is below. Enjoy! - jB
It's important not to confuse reinvention and evolution - the need for one is not the need for the other. - jB
It's always nice to be in a room with a VU. - jB
From November 21st to 30th, 2016, Joshua Van Tassel and I had the immense pleasure of having an artists' residency at The National Music Centre in Calgary, AB. If you don't know anything about the National Music Centre, I high recommend that you check it out HERE. It's an incredible place - it holds a massive 2000+ instrument collection spanning over 450 years (and you can actually use a whole lot of them!). It has top notch facilities, is in both a beautiful new architectural marvel of a building as well as the historical King Edward Hotel, and houses some of the warmest, supportive and knowledgable humans that there could be.
Josh and I were there to create "Impossible Instruments" - taking existing instruments in the collection and combining them to create new sounds that couldn't exist anywhere or any time other than there and now. Combining a harpsichord with a Maestro Ring Modulator, or a Novatron with a pump organ and a Korg MS20 were all normal activities during our time in residency. We then recorded those new sounds as samples, and built 38 new instruments to be played and composed with in the future. A very exciting time, it was!
If you're a musician living in or passing through Calgary, or if you have an interest to any degree in the historical and contemporary happenings of music in Canada, it's worth checking out the National Music Centre. Whether it's a tour of the museum, or an extended stay to use their wealth of synths and sounds, it's worth the trip, no doubt!
And here are just a few pics below. There are also more to see under the hashtag "#impossibleinstruments" on the Twitter.
It's Saturday. If you're on the Internet today, you're probably looking for something worthwhile and meaningful to spend some time on. There's a lot out there! If you're looking for something worthwhile and meaningful in the world of theatre on this Saturday, I'd highly recommend that you go here to this website and check out what the Quote Unquote Collective is up to this week at Buddies In Bad Times Theatre : www.quoteunquotecollective.com And then go and check them out in real life and in the theatre. You'll be entertained. You'll be made to think. You'll be better off for it. So, just do it!
Here are some peoples' thoughts on the work, in case you should require more encouragement:
As of this weekend past, the band Ptarmigan has released their album "Ptarmigan" out into the world. It's a magical sounding affair, full of mythology and a sense of the surreal, while still keeping one foot firmly planted in the world of acoustic folk. It's a beautiful balance that Ptarmigan has managed to achieve, an equilibrium that is not often heard.
I had the pleasure of working with the band to help produce, develop and actualize their ideas, and it was a joy. To be a part of the sonic transformation of a band that is made up of such talented musicians and wonderful humans has been an incredible experience. It is an album that is worth checking out, whether for the mythical journey of "A Magician Of Sorts", the soaring flight that is "Stilts", or for the attack of the synths that comes in "O Zephyr". There is much to hear and experience and enjoy on this album and with this team - I am almost certain that you'll find at least one thing on it you haven't heard anywhere else.
Check it out here : ptarmiganmusic.bandcamp.com
And check out Ptarmigan here : www.ptarmiganband.com
This should be the next Netflix film that you watch. Vital, important, impactful, and an incredibly potent summary of the world we live in today.
Today, Latest Cry (a collaboration between myself and Martha Meredith of For Esmé) releases its debut EP called "Symptoms / Signs". It's been a while in the making, so to have it out into the Internet world today feels great. It is a collection of songs that contemplates what it means to be living in the age that we do; living with this illusion of connectivity that we constantly find ourselves immersed in; considering what we need to do to get out from under it.
You can give it a listen / purchase at our BANDCAMP page and it'll likely pop up in a stream or two in the next few days as well. Or, you can listen / purchase it below. Enjoy! - jB
The best art is polarizing, the best humans are not. - jB